Behind the Shoot: Filming Supercars at Everyman Racing Leicester

Discover how Another World Media filmed supercars at Everyman Racing Leicester using a Blackmagic 6K, IRIX 11mm lens, and FPV drone. Lessons, laughs, and bold shots.

When it comes to filming supercars, there’s one thing you learn fast: these machines don’t care about your gear, your schedule, or your drone. They just want to move. Fast.

We recently worked on a shoot at Everyman Racing in Leicester, capturing a stunning supercar for a high-energy project. From strapping cameras to the bonnet to chasing it with a drone, it was equal parts terrifying, hilarious, and unforgettable.

Strapping a Camera to the Bonnet

It sounds simple, but attaching a cinema camera to the bonnet of a car worth more than a house isn’t something you take lightly. We used the Blackmagic 6K paired with an 11mm IRIX lens — lightweight enough for safety but sharp enough to capture every detail of the car’s reflections and the Leicester track.

Using heavy-duty straps, we secured the camera in place. Did it work? Yes. Was it terrifying watching the rig bounce with every rev of the engine? Absolutely.

Another World Media crew prepares equipment on a sleek sports car at Everyman Racing in Leicester, gearing up for an exciting shoot.

When the Drone Can’t Keep Up

Naturally, we wanted dynamic aerial shots — so we brought along an FPV drone. The only issue? The drone topped out at 30mph. The car didn’t. At all. Within seconds, it was like watching a greyhound race where someone accidentally released a hamster onto the track. A funny moment for the crew, but not quite the adrenaline-fuelled footage we had hoped for.

The Unwritten Rule: BTS Photos

There’s an unspoken law of any supercar shoot: every crew member must get a behind-the-scenes shot with the car. No exceptions. At Everyman Racing, we quickly turned the track into a photo studio — leaning on the bonnet, posing by the spoiler, trying to look like we owned it. Did it eat into filming time? Definitely. Was it worth it? Without question. Every profile picture in the crew got a well-deserved glow up.

Lessons Learned from Filming Supercars in Leicester

As fun (and stressful) as this shoot was, we left with some important takeaways:

1. Polish before you suction. If you’re attaching a camera directly to the bonnet, make sure the surface is polished and clean. It helps suction cups grip tighter and keeps your gear safe.

2. Use a lens filter. Shooting into the sun? Without a filter, glare can block out the action inside the car. A simple ND or polariser filter saves you hours in post.

3. Bring a chase car that can keep up. For cinematic rolling shots, you need a support car that matches the speed of the supercar. Drones and everyday cars just won’t cut it.

Final Thoughts

Supercars test your nerves, your gear, and your patience. But when everything comes together, the footage is worth every bead of sweat.

At Another World Media, we love shoots like this because they challenge us to be bolder and more creative — whether it’s on the roads of Leicester, the East Midlands, or across the UK.

👉 Got a project that needs daring setups, bold ideas, and cinematic results? Get in touch with Another World Media today and let’s make it happen.

Another World Media crew prepares for a dynamic shoot at Everyman Racing in Leicester, with a vibrant sports car as the backdrop.